Tuesday, June 28, 2011

Sucker Punch




Yes, I finally saw it. I very badly wanted to see this film in theatres, even though every review I read said that it was total crap (many times, it didn't even rate a single star). The review in my town's particular newspaper said that this film was full of rape fantasies that would only be enjoyed by lovers of Japanese schoolgirl anime/manga. I believe needless to say (but obviously I am saying it anyway), I found that a bit offensive and it only made me want to see it more, just to see on what basis the film critic would say this.

Honestly, I do not understand at all what made him think this. Yes, the film is rather like an anime. I thought this at many times. Though anime can have a lot in common with normal books and/or movies, this did smack more often of an actual anime....unsurprisingly, since it was written and directed by Zack Snyder, the man who gave us 'Watchman' and '300', both based off of graphic novels. For the record, I never saw 'Watchman' (I was going to, but with only a tepid interest in it and the movie clocking in at over three hours, I couldn't bring myself to do so), and I positively hated '300'. One could choke on the testosterone in that film.

'Sucker Punch', on the other hand, does have many anime cliches (girls in schoolgirl outfits and skimpy leather clothes wielding katanas and large guns). There is even one scene featuring a giant mecha. And one could even argue with the plot. The film critic for my town newspaper certainly did. But he sounded confused by it, which I don't understand.

A brief synopsis (without {hopefully} giving away too much):



A young girl is institutionalized by her abusive stepfather. She begins retreating to an alternative reality as a coping strategy. In this alternate world, she is an orphan, turned over to work in a brothel.


She and her fellow workers must dance to lure in customers, but when she dances, she imagines herself in another world....a world in which she is a warrior, fighting for her freedom. She creates a real plan, one to escape the brothel, and enlists her friends in this bid for freedom, using her dancing to help guide her way.


Still following? Hope so. The critic in our paper didn't seem to make it past the first story jump, from the girl, BabyDoll (we never learn her true name, only the name she takes on in the world of the brothel) going into her alternate reality of the brothel. He complained of the three storylines, saying they didn't make sense. The first skip didn't confuse me. The second one had me faltering....when BabyDoll jumped from dancing to warrior mode for the first time, I was a little lost. But then she returned, and it was clear that when she danced, she lost herself in this other realm, freeing herself from the world she "lived" in, a world of imprisonment.

I don't know why the alternate reality she chose (the brothel) would have been one of imprisonment....perhaps BabyDoll felt so stifled by her circumstances (the loss of her mother, her step-father's abuses) that she could imagine no other escape but one of yet another entrapment.

To return to the film critic's comment about "rape fantasy"....I just don't understand. Yes, this takes place in a brothel, so there is a lot of reference to sex. But sex is not the same as rape. I suppose one could qualify it as rape since the girls are there against their will. But it is hard (in my opinion) for this to be qualified as "rape fantasy" when the message is clearly highly anti-rape. There is an attempted rape in the film, and the man nearly gets knifed for his troubles. Maybe the end result doesn't matter, and rape fanatics get off on the thought of rape itself, no matter the outcome, but I still think that this movie would make a poor case for a "rape fantasy" lover's dream.

The computer graphics are used to great success here, mainly in BabyDoll's imagined warrior world, but also in the opening scenes before she is taken to the asylum, a scene which in itself is a work of art. The shot of the button spinning on the floor is so pointless, yet gorgeously done.

Another high point is the film's soundtrack. Every single song was wonderful, and has me dying to go out and buy the cd.


The movie was definitely no masterpiece, but it was highly enjoyable. I would definitely recommend it, unless you are a person (like my father) who needs your movies to be classically good. This is definitely no more than a piece of good old rock 'em sock 'em, though very lovely to look at, cinema. (Watch for John Hamm's cameo....definitely a much appreciated moment in the film.)


Who honors those we love for the very life we live? Who sends monsters to kill us... and at the same time sings that we'll never die? Who teaches us what's real... and how to laugh at lies? Who decides why we live and what we'll die to defend? Who chains us... and who holds the key that can set us free? It's you. You have all the weapons you need. Now fight.

Friday, June 17, 2011

Mao's Last Dancer: Before you can fly, you have to be free.




Today, at long last, I watched 'Mao's Last Dancer'. I say "at long last" because I've had this movie on request for several months. The reviews for the film had been quite good, and while I never depend on reviews, I do take them into account, so I'd had high hopes for the film. I was not disappointed. Quite the contrary, it was far better than I had expected, which was saying something.




The film is based on the autobiography of Chinese dancer Li Cunxin. At the age of 11, Li was picked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, he was chosen by a cultural exchange program to visit a ballet company in Houston Texas. While there, he fell in love with an American dancer named Elizabeth. At the end of his stay in America, he had decided he didn't wish to return to China. He and Elizabeth got married, but the Chinese consolute refused to accept this. Li's struggle turns into an all-out battle, the Chinese government against Li and his wife, friends, lawyer, and the support of the people of America.



This film was lovely to look at. I don't believe I have ever watched a full ballet in my life, but I couldn't get enough. Chi Cao, who plays Li, dances with such grace and passion that it is impossible to take your eyes off him. But more than that, this film is inspiring. In the beginning, Li does not want to dance. As a child, he is happy to go to Beijing, an experience no one in his peasant village is likely to share in. But dancing itself is not an activity he enjoys. Not until his teacher, Mr. Chan, shares with him a love of Baryshnikov and thus, a joy of dance. He leaves for America and learns to truly feel free.

The ending left me in tears. I haven't cried at a film in a long time. I can't remember the last time I actually cried at a movie, and this one had me close to bawling.

Wednesday, June 15, 2011

LotR: Fellowship of the Ring

Not sure how many people are aware, but Lord of the Rings is being released on BlueRay, and this means its returning to theatres for one night and one night only. That means one night per film, not one night for all three films. That would be a bit ridiculous. Though a few of us have done it before. I think it was only myself, Drea, Karen, Amy, and Duana. I'm not sure. And we were all RIDICULOUSLY slap-happy by the end of it. Orc hickeys.

Needless to say, I flipped out when I found out. I bought my tickets immediately, and have had them for approximately a month. Tuesday, June 14th was the night of the first film, Fellowship of the Ring. And it was not just the movie....it was the EXTENDED EDITION. Plus, I do believe that the BluRay edition has even more added footage. I don't think I need to tell you that I was in my glory.

Jess, Meg, and Dave were all there with me. And we were all obnoxious. Luckily, I think JRR Tokien would have no problem with our mockery (despite my great love for the books and films, I still make tons of jokes). CHRISTOPHER Tolkien would be ripshit pissed, but he's sort of a twatwaffle.

The only problem I had with it was that it could have started a little earlier. To get out of the movies around 11 is a bit late. I mean, the Best Picture Showcase every winter gets out around 11, but I always make sure I don't have to work the day after, and I also sleep in my own bed. This time, I slept over Meg's/Dave's, and had work at 10. Its not as if that's early, but I didn't sleep well. Not anyone's fault.....I just don't always sleep well in beds that aren't my own, and this was one of those nights.

But the film was, as always, EPIC, so it was alllll worth it. Can't wait for the 21 and the 28, when I'll see Two Towers and Return of the King.